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I was born in Hereford,
England in 1974... blah school, blah BMX bikes, blah Frankie Goes to Hollywood,
blah... In 1987 I discovered the phenomenon of "indie" music
and started wasting my youth sitting around in my bedroom listening to
The Fall, Pixies and My Bloody Valentine (while all the other kids from
my school were out stealing hub caps).
At the tender age of 18 I left Hereford to attend Brighton's University
of Sussex. Despite the rugby teams claims that "it's not so much
for the SUS, it's more for the SEX", I spent most of my time sulking
and listening to obscure American bands. Pretty soon, I got my own show
on the University's radio station, University Radio Falmer. I used the
Losercore show to impose my objectionable personality and my taste
for Mercury Rev, Pavement and Sebadoh on both of the station's
listeners. Over the course of two years, the scope of the show broadened
to take in the hip hop of Cypress Hill, The Pharcyde and The Wu Tang Clan
plus the proto-post-rock of Moonshake, Bark Psychosis and -best of all-
Disco Inferno.
The third year of my alarmingly pointless American Studies degree was
spent at The University of Massachusetts in Amherst, US of A. Here I met
a group of friends who introduced me to post-modern polymaths like John
Zorn, Bill Laswell and Kevin Martin. I was able to voice these enthusiasms
through a new, improved version of Losercore on the University's
FM station, WMUA.
On returning to Brighton, I also returned to URF and presented a new show
called Too Hectic which featured a 15-minute dark ambient montage
every week. Boo-yah! I also started writing pretentious record reviews
for a campus publication called The Badger.
After graduating, I moved along the south coast to Portsmouth, where I
took a year-long Magazine Journalism course. Naturally, I spent most of
the year sitting in a bedsit listening to my mate Dave's Young Gods and
Third Eye Foundation LPs. I also learned how to use an Apple Mac and did
a bit of writing for a local listings mag called Splash. At the
end of the year I ended up on the dole and took the time to produce the
first incarnation of The Bubblegum Cage, which I quickly disowned
(it featured an essay called "The Psychogeography of Sound",
for God's sake!)
After a while, I got a job at the Press Association in London. There I
met a whole pack of similarly obsessed music fans who helped me expand
my knowledge of Miles Davis, Sonic Youth, Lee Perry, Arnold Schoenberg
and -oh so best of all- Scott Walker. I worked there for two years and
got pretty bitter. I practically gave up on music writing. I did one review
for Beware of Cat but they didn't give me a byline so fuck that.
Luckily, I also met so of the most talented people I've ever had the good
fortune to know. There was Mike Barnes who by now has probably had his
doubtless excellent biography of Captain Beafheart published. There was
Chris T-T whose stupendous Beatverse was the great lost LP of 1999.
And then there was the inestimable Lara Jenny (aka Li'l' Kris) who is
quite simply my favourite human being on earth.
At the end of 1999, Kris and I moved to Vancouver, which just about brings
us up to date... blah CITR, blah Discorder, blah Pop Boffin,
etc, blah...
Big shout out to all the bands and people mentioned above, especially
Kris (for obvious reasons and because this site is basically all her own
work). I'd also like to namecheck my family (hi mum), Kris's family, The
Wire, Simon Reynolds, Buffy the Vampire Slayer, The Simpsons,
Scott Walker (again), Janeane Garofalo, Will Self, Steve Reich and anyone/anything
else that made this wonderful story possible.
Sam,
April of the year 2G.
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